REVIEWS
Theatre & Film

MUSTANG SALLY
Whitefire Theatre -- Sherman Oaks, CA

 
"Undeniably spirited cast..." -- LA Weekly

"A skilled committed cast..." -- Backstage

"Conway's performance truly embodied the torment and persistent earnest of a little girl who navigates the emotional and social pitfalls of adulthood poorly. Well done." -- Splash Magazines Worldwide

"This is family drama at its finest... the unavoidable explosions of emotion all ring true. The trio of female actors plays off each other well and seems to have a family history that pre-dates the play... Conway manages to elicit deep compassion for her character..." -- Sherman Oaks Sun

 "The performances are solid, especially Conway as Kathy." -- American Radio Network

 "An obviously experienced cast." -- The Tolucan Times

SUMMER AND SMOKE
The Little Theater -- NYC

 "Alma (Sally Conway) is a minister's daughter fighting off desires... 'The Gulf wind has failed us terribly this year,' Alma sighs early in the play...It's the kind of line that draws laughs, especially as Ms. Conway delivers it, in such a classic Southern belle accent that she could easily be doing a comedy skit... Ms. Conway is good..." -- The New York Times

"Conway joyously wraps her voice around Alma's lilting tones, and she's great to listen to..." -- Talkin' Broadway

PROLOGUE FAMILY PORTRAITS: A TRILOGY OF AMERICA
Directed by Douglas Buck

"An attractive young woman in a wheelchair (Sally Conway) is introduced... The young woman's life appears to be ruined..." -- The New York TImes

"The trilogy ends up being a raw piece of unnerving gristle that lodges deep in your cheek teeth... The last act [Prologue], essentially bloodless, is a noble try for Egoyan-ness in the heartland, with family secrets, unspoken feelings, and a bruised maiden in a wheelchair." -- The Village Voice

"Deeply disturbing and unnerving..." -- New York Post

"Conway's excellent performance is played close to the vest -- with a deep passivity few actors would dare attempt." -- Film Festival Today

HEAVY SOUL
Directed by Oren Shai

"Sally Conway does an incredible job with a consistently convincing and wholly sympathetic performance." -- pulpmovies.com

"It is an accomplished, stylish, well-made short with a star turn by Sally Conway." -- The Greencine Daily Blog

"Sally Conway... luminous eyes and angular features... gives a rich performance as Dakota to compliment Shai's impeccable production design..." -- microcinemascene.com

"Shai's best partner in crime with this is Sally Conway, who scarily embodies a '50s teen, as if she had been transported here from that decade..." -- filmthreat.com